![]() The amp was perfect for Dale as it allowed him to be louder and more aggressive with his riffs then anyone else out there. Dale was a big figure in the surfing community of his day and made global impact when he produced the first ever 100-watt guitar amp in partnership with Fender. It was Dick Dale and the Del Tones cover of ‘Misirlou’ that embodies the iconic obscurity of Pulp fiction. #Pulp fiction soundtrack movie#He stated “When I actually sit down to write something, I go to my music selection and start finding the songs that will be the beat of the movie, the rhythm of the movie ”. Tarantino let the music guide the narrative rather than squeezing it in between conversation. With Dale, Tarantino found a perfect acquaintance to the surrealism and awkward tension of Travolta’s character. Plus it gave legitimacy to the movie as an indie production.ĭick Dale : He broke through the atmosphere of light hearted songs and sunset drives that dominated surf music. The use of Surf Rock made the movie instantly popular to those already in tune with surf culture. It is stereotypical of Tarantino to showcase an small genre of music in a movie that has become renowned for its use of pop culture. In my opinion he was the Quentin Tarantino of surf music. He brought an injection of a new style of reverb guitar to a genre of music that had not changed since the dreamy music of the Beach Boys. Dick Dale was given the name “The King of Surf Guitar”. Yet the soundtrack balance the darkness of the movie with lucid licks of upbeat Surf Rock. The film itself was an ode to pop culture and ‘Crime Noir’ movies of the 50’s. However if you listen to it and close your eyes you can almost feel the Califonian sand between your toes and the sea breeze on your neck. Pulp Fiction is such a classic movie that we don’t often think about the music behind it. Its loud, its energetic and the iconic Misirlou will definitely get you pumped for a surf sesh. The soundtrack is the perfect music to road trip too with your mates. Pulp Fiction has become intertwined in modern day surf culture. Its title song ‘Misirlou’ by Dick Dale was later sampled as the main riff in the 2006 Black Eyed Peas hit, ‘Pump it’. The soundtrack debuted at 21 on the Billboard 200, prompting a second release a year later by surf label Del-Fi as part of a compilation album known as ‘Pulp Surfin’. It fused underground cinema with offshore Surf Rock. The songs inclusion in Pulp Fiction highlighted the importance of an interplay between movie scores and underground culture. This song not only started Pulp Fiction but it also started a new fascination with surf music and cinematography. It just throws down a gauntlet that the movie now has to live up to.” He adds, “It just says you’re watching an epic, you’re watching a big, ol’ movie. “Having ‘Misirlou’ as your opening credit, it’s just so intense”. Tarantino commented on the use of Misirlou: In an interview with Actionzone in Tarantino said in 1994 Tarantino gave us an insight into his eclectic music library. Surf Rider: Performed by The Lively Onesĭ uring the film’s opening scene, the watery reverb of Dick Dales guitar swells intensely as Amanda Plummer’s character threatens to ‘execute every-last one of you’.Rumble: Performed by Link Wray And His Raymen.Misirlou: Performed by Dick Dale (as Dick Dale & His Del-Tones).Bustin’ Surfboards: Performed by The Tornadoes.Plus it the best album to Roadtrip & Surf too. The music is weird and wonderful just like Tarantino. The soundtrack included legends like Dick Dale & The Tornadoes. However, Tarantino’s classic Pulp Fiction could be the most successful movie to reference surf culture. Surf Movies are a niche and flourishing genre of cinema. ![]()
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